Abafrika present ‘Otafiire Aka Nyina’

Nov 30, 2006

Two things make this production exciting; the title Otafiire (a name well known in the circles of power and also meaning “one not dead”) raises expectations. And that Abafrika are back, this time with a new play, raises the ripples in the current calm flow of theatre waters.

Two things make this production exciting; the title Otafiire (a name well known in the circles of power and also meaning “one not dead”) raises expectations. And that Abafrika are back, this time with a new play, raises the ripples in the current calm flow of theatre waters.

That the hostels around Makerere were long closed for business does not deter the symbolism of this setting. This play remains a peep into the lives in hostels. Tina (Sarah Ninshaba) falls in love with the warden, Dan (Kai Kai). But despite each others fidelity remaining unquestionable it is not a comfortable union.

When Dan’s manhood comes to question, however, things take a turn. He, like many men, is torn between the mother’s love and that of his fiancé. Whether it is the force of the medicine man the mother is using or just the Oedipal complex of human nature, things get worse. Lives are lost, and some saved.

Kai Kai is more expressive though not exhibitionist. He is the kind that makes you laugh and cry, unwillingly. That he is playing the part of a tortured Dan should raise emotions.

Jane Bikanyire has the 21st motherly expression and she goes about with her duties as if her son’s life is a matter of life and death despite the many responsibilities rested on women today.

Tagline: A young man’s struggle to win a woman’s heart, a man of God struggles to win a case in court and the price of being born complicated.

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